The “History” attempts (after the fashion of a pageant) to marshal the activities of Alexandria during the two thousand two hundred and fifty years of her existence. Starting with the heroic figure of Alexander the Great, it inspects the dynasty of the Ptolemies, and in particular the career of the last of them, Cleopatra; an account of Ptolemaic literature and science follows, and closes this splendid period, to which I have given the title of “Greco-Egyptian.” The second period, called “Christian”, begins with the rule of Rome, and traces the fortunes of Christianity, first as a persecuted and then as a persecuting power: all is lost in 641, when the Patriarch Cyrus betrays Alexandria to the Arabs. An interlude comes next—“The Spiritual City”—which meditates upon Alexandrian philosophy and religion, both Pagan and Christian: it seemed better to segregate these subjects, partly because they interrupt the main historical procession, partly because many readers are not interested in them. History is resumed in the “Arab Period,” which is of no importance though it lasts over 1,000 years—from Amr to Napoleon. With Napoleon begins the “Modern Period,” the main feature of which is the building of the city we now see under the auspices of Mohammed Ali; and the pageant concludes, as well as it may, with an account of the events of 1882, and with surmises as to future municipal developments.
The “History” is written in short sections, and at the end of each section are references to the second part—the “Guide”. On these references the chief utility of the book depends, so the reader is begged to take special note of them: they may help him to link the present and the past. Suppose, for instance, he has read in the History about the Pharos: at the end of the section he will find references to Fort Kait Bey where the Pharos stood, to Abousir where there is a miniature replica of it, and to the Coin Room in the Museum, where it appears on the moneys of Domitian and Hadrian. Or again, suppose that the tragic fate of Hypatia has touched him: at the end will be references to the Caesareum, where Hypatia was murdered, and to the Wady Natrun, where the monks who murdered her generally resided. Or the British victories of 1801: he will be referred to the country over which our troops marched, to the Abercrombie Monument at Sidi Gaber, and to a tombstone in the courtyard of the Greek Patriarchate. The “sights” of Alexandria are in themselves not interesting, but they fascinate when we approach them through the past, and this is what I have tried to do by the double arrangement of History and Guide.
The “Guide” calls for no introduction. It is written from the practical standpoint, and is intended to be used on the spot. Maps and plans accompany it. The city is divided into sections, the visitor in every case starting from the Square. Other sections deal with the environs, and with the surrounding country as far as Rosetta on the east and Abousir on the west. In transliterating Arabic names I have preferred the French system: there are three English systems, each backed by a rival government department, so the French seems the safer course, and if I have not kept to it rigidly, I am only following, though at a respectful distance, the example of the Alexandria Municipality. Here and there some History has crept into the Guide—notably in the case of Aboukir, whose fortunes, though dependent on Alexandria’s, present features of their own.
